If there's anyone who has pulled off a wickedly impressive image transformation, it's Angelina Jolie. She used to be the wild child who'd wear bloody tees to her wedding (with Jonny Lee), or bloody vials around her neck (as she did with Billy Bob). Then she did a 180, becoming a goodwill ambassador and starting her own multicultural Brady Bunch with Brad Pitt.
I'm happy for her, but I can't help but miss the good ol' days. She might have been wild, and she might have shocked many -- but she had a great spark, one that seems to have disappeared inside the current carefully manufactured icon she is today.
The gleam might be hidden these days, but luckily we're living in a world of DVD entertainment. We can head back to the past whenever we want to. What follows are my two favorite Jolie gigs. They're far from the best movies, but they definitely embody both the old Angelina, and a certain period of '90s rebellion. I give you: Hackers and Foxfire.
In a natural progression from amateur porn of the Zack and Miri variety, Elizabeth Banks has taken on some a cappella-themed production work. The Hollywood Reporter posts that the actress is going to produce a new film called Pitch Perfect, through her shingle, Brownstone Productions. Kay Cannon (30 Rock) is going to adapt the film from Mickey Rapkin's nonfiction book.
An editor at GQ, Rapkin spent some time covering a cappella college competitions, focusing on teams from the University of Virginia, Tuft University, and the University of Oregon. Oh, but this isn't just a bunch of goofy nerd singers competing. Apparently, it's a world full of "singing, groupies, partying, and rivalries."
A cappella groupies? I just can't wrap my head around this notion. Do the girls put on skimpy outfits and try to sleep with the singers? Do the performers sign breasts and keep score on their bedpost? And to think I thought a cappella wasn't sexy ... maybe it's because of performances like this.
The book will be a comedy set in this world, and so far, I'm itching to see it. It's certainly unique! As of right now, Banks isn't attached to a role in the film, but I imagined that might change once the adaptation is complete.
And when I say ridiculous, I mean "WTF is going on in this flick!?" I'm not sure when this new red band trailer for Tropic Thunderwent off the deep end: Was it when Ben Stiller took a young child who was stabbing him in the back (literally) and threw him off a bridge, or was it when Stiller was holding up the decapitated head of a soldier and sticking his tongue up to its guts. Oh, I'm totally not kidding about any of that, either -- this one looks completely out of control. Kudos to Stiller; for awhile there, it looked like he was way past his prime. With Tropic Thunder, something tells me the entire crew downed a case of "something real good" and said, "Screw it, let's just go absolutely nuts with this one and really freak people out."
Tropic Thunder stars Stiller, Jack Black, Robert Downey Jr. (who's cursing in every scene ... as a black man), Brandon T. Jackson and Jay Baruchel as a group of actors shooting a Platoon-esque war film in the jungle. When that film's director (as played by Steve Coogan) decides these guys need to be "in the sh*t," the gang wind up face to face with an army of real soldiers. I can't even begin to explain this trailer -- it's probably the most disturbing, yet oddly hilarious piece of marketing material I've seen all year.
Go here. Enter your age. Let us know what you think. Tropic Thunder hits theaters on August 15.
I first heard about this film from my friend Aaron, who, honestly, hasn't stopped talking about it for over a year. He caught a screening of it at last year's Tribeca Film Festival, and absolutely fell in love. Another friend of mine was at the same screening and he loved it. Lots of people are loving it. I'm dying to love it. Will you love it, too? Moviefone has debuted the trailer for In Search of a Midnight Kiss (watch above or over on Moviefone), directed by Alex Holdridge. The film, which was shot guerrilla-style in Los Angeles after something like a two-week prep period, tells of a man who's just suffered through one of the most miserable years of his life. When his friend convinces him to post a personal ad on Craigslist (in order to avoid being alone on New Year's Eve), a girl searching for the perfect midnight kiss answers. Thus begins an eventful night that neither one will ever forget.
I'm really diggin' this trailer; definitely one of my favorites of the year so far. Well edited, well scored -- looks like my cup of Friday spiked tea. You?In Search of a Midnight Kiss hits theaters on August 1.
Uwe Boll's latest "masterpiece" Postal was scheduled to open next weekend in 1500 theaters, deliberately going up against Indiana Jones and the Kingdom of the Crystal Skull. But, according to a story at Cinema Blend, Boll's people issued a release this morning claiming that U.S. distributors have dropped the film and that it will only be released on four screens. An additional source says the film will open in five cities: New York, Los Angeles, Chicago, Denver and Tucson. Boll claims that he has even tried to rent additional screens, but to no avail.
Typically, the outspoken, outrageous director is calling it a conspiracy, the latest example of everyone being out to get him. He also says, "Theatrical distributors are boycotting 'Postal' because of its political content. We were prepared to open on 1500 screens all across America on May 23rd. Any multiplex in the U.S. should have space for us, but they're afraid."
Frankly, that's highly unlikely, just as it's unlikely that the film is being canceled because it's bad. The most likely reason is that none of Boll's films have ever turned a profit, unlike films by bad directors like Michael Bay, Eli Roth and Brett Ratner, who are moneymaking machines, despite their ineptitude. Postal stars Zack Ward as "Dude," who teams up with his cult leader uncle (Dave Foley) to heist an amusement park. Unfortunately, the Taliban(!) has the same idea at the same time. Of course, George W. Bush (Brent Mendenhall) and Osama bin Laden (Larry Thomas) also appear. Like Boll's other films, it's based on a video game.
Man, I am absolutely loving the posters they're creating for The Dark Knight. Sure, there's been like 9, 10, 357 of them, but each one packs a solid punch. Batman On Film have debuted the latest of the batch, which, obviously, showcases the film's big villain: The Joker. Only thing I don't get about this poster is why they would put the words 'Coming Soon' underneath? Why not show off the film's July 18th release date?
For those who haven't stopped in to hang out here for awhile, The Dark Knight has been a subject of debate lately. First, Elisabeth wrote a Fan Rant on the selling of that Joker toy, and how some folks are cleaning out the supply, jacking up the prices and selling it on eBay -- profiting off Ledger's death and the increased demand for a collectible. Meanwhile, I pondered whether Ledger may get himself an Oscar nod out of this role; how it's about damn time we start recognizing the wonderful performances in these fanboy flicks, instead of focusing solely on special effects and sound editing. So feel free to chime in here or on those other posts. Unlike the poster, we'll tell you The Dark Knight arrives in theaters on July 18.
Welcome back to another edition of Insert Caption -- the game everyone in Narnia was talking about a thousand years from now! Last week we asked you to dust off that pimpin' fedora and come up with a caption for a photo from Indiana Jones and the Kingdom of the Crystal Skull -- which, for those who've been counting down the seconds (looks away in shame!), hits theaters in less than one week! Congrats to Anthony T. (who won the first three Indiana Jones films on DVD) for a caption that was, well, a real hidden treasure.
1. "We've finally made it to the tomb of the ... Goddammit Nicolas Cage!!!! What are you doing here?!!" -- Anthony T.
2. "Unbeknownst to the two adventurers, the shadowy figure behind them had just enough silly string left to seal their doom..." Sean A.
3. "Geez, Dr. Jones. I know I told you I'd help you clean out your attic, but I'm going to need more than $10 an hour..." -- Pete M.
This week we're all returning to the land of Narnia in honor of the highly-anticipated sequel to The Lion, the Witch and The Wardrobe: The Chronicles of Narnia: Prince Caspian. We're not asking you to take out the villains and save a prince, mind you, but we would like a funny caption for the photo below. In return, you see, three lucky winners will be awarded one Chronicles of Narnia: Prince Caspian cast-signed poster, one Chronicles of Narnia: Prince Caspian soundtrack and one Chronicles of Narnia: Prince Caspian illustrated "making of" book. You know the drill ...
I am, by no means, a big fan of medieval themes, although a movie here and there, or an occasional trip to a Renaissance Faire is fun. But man, Ironclad is sounding awesome. Variety reports that the film is the first project for the newly formed Mythic International Entertainment, and will be directed by Jonathan English.
Set in 13th century England, the film will focus on "a small band of knights who defended Rochester Castle against the tyrant King John." There's no mention of who the signed leads are playing (presumably knights), but if James and Paul sign on, Purefoy will play the lead night, and Giamatti will be King John.
It sounds great to me! After John Adams, I've been on a total Giamatti kick, and along with actors like Attenborough and Postlethwaite, this could be one hell of a great action film.
Cinematical just received a tasty little scoop from one of our trusty top secret super delegate Hollywood insiders, and it's purty interesting (all you Spidey fans might want to listen up): Apparently, in the last few weeks, James Vanderbilt (Zodiac) has turned in a working draft of Spider-Man 4to the studio. However, according to our source, "his story arc has encompassed two films, making Spider-Man 5 shootable at the same time. The studio saw dollar signs and is in the process of reworking his deal to snatch up the story arc." Don't expect anything immediately, though, since we've been told both sides are still trying to negotiate the deal.
Right now we have no word on what that arc is or where Vanderbilt is taking his script, but it's interesting to know that they're looking to spread the next Spidey storyline across two films, instead of shooting one more and taking it from there. Obviously Sony has wiped away the bad buzz from Spidey 3 and is interested in stretching this franchise as far as they can. After three flicks, I can't see Sam Raimi, Tobey Maguire and Kirsten Dunst returning to shoot two Spider-Man films together (would be a lot to take on), but you never know. In the meantime, here's what we know: Looks like Vanderbilt is writing Spider-Man 4and Spider-Man 5, and the studio might look to shoot both flicks at the same time. As of right now, the studio has no comment. We'll update this post should we hear more ...
An extended clip from M. Night Shyamalan's new film The Happeningis now online (watch it above or in higher quality over on Yahoo), with an introduction from M. Night himself saying how he was inspired by films like The Godfather and The Exorcist. What we get are snippets of scenes we've seen previously from the trailers, as well as the extended version of the train scene when Mark Wahlberg walks up to those conductors and says, "With whom?" (I love that part and I don't know why.) This is M. Night's first R-rated film, and he claims it's "the scariest movie he's ever made." I guess we'll see about that.
Or maybe someone already did. Yes, folks, there's the "early screening scooper" over at Collider who's written in with a very, very negative review of The Happening (check it out here, but watch for spoilers). This person goes after the acting most of all, as well as the awkward pacing -- going so far as to say "it's bad on an epic scale." Now it's clear M. Night asked for a certain small town, passive-aggressive tone out of Wahlberg, which he's delivered before (to a certain degree) in films like Boogie Nights. But I do agree that his whole shtick seems very odd here, though we're seeing one scene out of context so I won't go off and declare The Happening an absolute failure.
Personally, I hope this film is good. I WANT to love this thing. It looks creepy and uncomfortable, and I dig that about it. Who knows; fingers crossed. The Happening lands in theaters on Friday, June 13th.
UPDATE: JoBlo has revealed a new Red Band trailer for The Happening. Check it out over here. (P.S. And it might contain spoilers, so beware!)
It's been two-and-a-half years since we watched the Pevensie children come to life on the big screen in Disney's splashy adaptation of The Lion, the Witch and the Wardrobe, but for the characters, only a year has passed between those adventures and the ones in the new movie, The Chronicles of Narnia: Prince Caspian. Well, time is funny like that when you're dealing with the magical land of Narnia, as the storyline of this movie amply illustrates.
The structure of events in the movie is actually an improvement on the C.S. Lewis book, opening with a captivating chase scene as young Prince Caspian (Ben Barnes) attempts to escape from his Uncle Miraz (Sergio Castellito). Miraz has been scheming to steal Caspian's throne and now wants him dead. But Caspian's tutor gives him a magical horn, the horn of Queen Susan, to summon help in time of need. When Caspian blows the horn, suddenly Lucy, Edmund, Susan and Peter are pulled out of a London Tube station (which was the first scene in the book) and into a world of wild, wooded ruins that turns out to be Narnia, thousands of years after they've left. However, Caspian thought he was summoning kings and queens, not British children, and how can these kids help him regain the throne and help Old Narnia? And where is Aslan the Lion in the middle of all this?
I'm beginning to believe that no one really wants to watch movies anymore. Or, at least, they don't want to actively watch them. Big movie theaters are hurting with the advent of saucy home theater systems, and it seems like most people would rather curl up on their couch then head out for the big community experience. We've already heard arguments about the mass distractions that are attached to home viewing, but I never thought that it would become part of the movie experience. The Hollywood Reporter posts that Walt Disney is itching to use Blu-ray's Live technology to make a more interactive movie experience. But they're not talking about the Choose Your Own Adventure sort of fare. They're adding a whole lot of bells and whistles to their classics. First up, my favorite Disney film ever -- Sleeping Beauty.
Luckily, it doesn't seem to be presenting anything that will make me want to go out and get a new player. It's all movie distractions. It might be cool that the menu will have a customized version of Sleeping Beauty's castle that will reflect your weather conditions, but that's just fluff. Besides that, there's just things to distract you from the film -- integrated chats on the movie screen, customized video messages to insert into the movie, the option to mail clips to friends, trivia games, and the option for a constant stream of web trailers.
This week, Walt Disney Pictures releases The Chronicles of Narnia: Prince Caspian. To some, it's special for its literary roots, but to others, I imagine it's a blast back to a time when Disney was all about throwing real kids into amazing adventures. These days, they don't do it very often, but Disney used to rule the world of family adventures that sparked the imaginations of kids everywhere. Sure, they put out a lot of classic animation, but they also released a number of adventure stories where kids got to do the unbelievable, whether that be death-defying adventure on the high seas, or slipping inside a cartoon.
In honor of the release of Prince Caspian, I give you seven great Disney films where real kids got to have amazing adventures. Some are new, and some are quite old, but all of them are quite memorable.
When you hear journalists at Cannes bemoaning a lack of outlets, it turns out that, for once, they're not talking about firings and cutbacks in paying gigs; rather, they're talking about the crowded push of the Orange WiFi Press Cafe, where getting a socket to plug into between screenings is well-nigh impossible. That's the press room pictured above; not shown is the upper deck, to the right, crowded with couches and journalists sprawled on the floor with their laptops. At its busiest, the WiFi Cafe looks something like a Civil War hospital, if Gettysburg's fallen had carried laptops and cameras instead of rifles.
It seems hard to imagine it's only the second day of the Festival, but it is; journalists and filmmakers are still coming into town, and the tempo of buzz and anxiety is speeding up subtly under the stately glide of stars down the red carpet. I actually wound up, bizarrely enough, at the Kung Fu Panda press screening -- Kim had to cover the Blindness press luncheon -- and, as I said in my review, "Of course, I may be a little inclined to have liked Kung Fu Panda as it made for a bit of a break; my Cannes viewing before this morning's Kung Fu Panda screening included two stabbings, a riot, several acts of sexual aggression, a few beatings, assault with a deadly weapon, family tension, grinding poverty and child endangerment. (That's not the breakdown for the films before Kung Fu Panda, just to clarify; that's the breakdown for the film before Kung Fu Panda.)" Still, I was able to get out and about to take in the scene today; you'll find the gallery below, with more from the shore to come when I can find a place to plug in for my next Cannes dispatch.
Gallery: Live from Cannes: Scenes from the Power Struggle
I really, really dig Lena Headey. She's been a breath of fresh air in cinema. She's smart, charming, and tough. She's sexy, but not overly sexualized, and she's got this reality to her that makes her roles pop. But she really, really has to add more diversity to her roles. Or, rather, she has to stop heavily favoring the dark/violent fare. Is this type casting? Personal preference?
I don't know, but there is yet another dark film on the way for Headey. Variety reports that she's just wrapped Anchor Bay's new slasher film Laid to Rest. The film focuses on a young girl who wakes up in a casket with a bad head injury and no memory of who she is. But she hasn't been buried alive. Instead, she's been abducted by a serial killer and has to outsmart him to survive.
I just hope one of her other projects, Six Bullets from Now, is light enough in the action/heist department to give her some mainstream regular cred, and get her out of this trend. But there's still Tell-Tale and Black Death on the way as well, plus more Sarah Connor Chronicles. Don't get me wrong, she's great in the dark fare, but it'd just be nice to see more frequent diversity. Let Luce shine!
In a natural progression from amateur porn of the Zack and Miri variety, .jpg)
Uwe Boll's latest "masterpiece" .jpg)
1. "We've finally made it to the tomb of the ... Goddammit Nicolas Cage!!!! What are you doing here?!!" -- Anthony T.
I am, by no means, a big fan of medieval themes, although a movie here and there, or an occasional trip to a Renaissance Faire is fun. But man, Ironclad is sounding awesome. 
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I'm beginning to believe that no one really wants to watch movies anymore. Or, at least, they don't want to actively watch them. Big movie theaters are hurting with the advent of saucy home theater systems, and it seems like most people would rather curl up on their couch then head out for the big community experience. We've already heard arguments about the mass distractions that are attached to home viewing, but I never thought that it would become part of the movie experience.
I really, really dig 
Insert Caption: The Chronicles of Narnia: Prince Caspian_thumbnail.jpg)
SCOOP: Spider-Man 4 and 5 Might be Shot at the Same Time!
Cinematical Seven: Disney's Awesome Live-Action Kid Adventures
