By far, one of the most anticipated movies on the festival circuit this year is Darren Aronofsky's The Wrestler. But many have been wondering why the film had secured such an 'undesirable' closing spot at the Venice Film Festival -- could there be trouble ahead with the finished product? But it looks like all that fretting was for nothing, because Aronofsky updated his personal blog with the news that the only reason for the delay in the selection process was that he was awaiting a completed song from Bruce Springsteen for the end of the film.

The Wrestler is the story of Randy "The Ram" Robinson (played by an almost unrecognizable Mickey Rourke); a former star of pro-wrestling in the '80s who has been reduced to appearing at high schools and community centers. With a heart condition and early retirement looming, Robinson takes one last shot at the 'big-time' in a match against a former rival. I can't say pro-wrestling is my usual area of interest, but I am pretty excited to see what a visual maestro like Aronofsky can do with that world -- and for a great primer on the difficult life of a pro-wrestler, I highly recommend the documentary Beyond the Mat

According to Aronofsky, "Springsteen wrote a beautiful original song for the closing the film. called THE WRESTLER it is a wonderful acoustic piece. makes me choke up every time i hear it. he really captured the spirit of the film and mickey's character in the piece." The pairing of Springsteen with the film seems to be a perfect fit. Because, if anyone has the knack for singing about the travails of a downtrodden man, it's Springsteen (and that Oscar pedigree probably doesn't hurt either).

The Wrestler will premiere in Venice on September 5th (we'll have a review from Toronto), and is expected to arrive in theaters later this year.

[Thanks: /film]

It's no secret that Hollywood is sequel crazy, but it's gotten to the point where it's hard to tell at a glance if a movie is a sequel or something new all together. Here are five trailers I had to closely scrutinize before I could determine whether or not sequalization was occurring.

Fast & Furious
Yup, this one's definitely a sequel, the fourth installment in the series launched by 2001's The Fast and the Furious. First off I give the whole franchise kudos for having the originality to give each of the films its own title and not just slapping on an escalating series of numbers. Furthermore, despite never having seen any of the others in the series, this trailer piqued my interest. Vin Diesel and co-star Michelle Rodriguez are seen here hijacking a tractor trailer hauling multiple tankers of gasoline, and the action is downright spectacular. Granted, the almost subliminal lesbian make out scene doesn't hurt either, but I could get behind seeing this. Here's what William had to say on the trailer.

Sukyaki Western Django
At first glance one might think this was a belated sequel to the 1966 spaghetti western Django. In reality this is an ultra violent homage to the genre with Takashi Miike at the helm and with Quentin Tarantino appearing in a supporting role. I've seen a few of Miike's film's, but the one I remember best is the bizarre and brutal Ichi the Killer, so I'm curious to see how he does with a Western. The preview is a frenetic barrage of action scenes with plot details being of secondary concern, but there's some wild stuff here, including bullets being deflected by samurai swords much in the way a Jedi would deflect a laser blast with his light sabre. The film is shot in English, though according to Jeffrey's review of the film, the mostly Japanese cast's unfamiliarity with the language is a drawback. Still, this looks pretty cool. Sukyaki Western Django goes into limited U.S. release this weekend, so I don't imagine it will be long before it's available on DVD.

Just in case you have a heart of stone and weren't taken in by the awesome Ping Pong Playa poster that Erik posted earlier this month (which is to the right), two new clips have hit the web. To refresh your memories -- this is the story of a basketball-loving Asian American who has done everything he can to remove himself from his family's ping pong ways -- until an accident and some jerky ping pongers make him reevaluate things.

First up, over at Coming Soon, C-Dub (Jimmy Tsai) gets introduced to his mom's ping pong class after she gets in a car accident and can't teach. C-Dub is completely not into the thought of spending his time with these tykes, and is none too impressed when he is mistaken for his ping pong champion brother.

Meanwhile, over at MovieWeb, we get to see C-Dub get called out on his questionable behavior. See, to make this whole ping pong class more interesting, he's added betting to the mix, and the one tykes older, cute sister isn't impressed. Unfortunately, poor Free Willy gets blamed.

Ping Pong Playa hits theaters on September 5. In the meantime, check out last year's TIFF interview where Jimmy talks about his ping pong experience, and the review here.

Last year I saw Gracie, a movie about a teenage girl who wants to play high-school soccer in the late 1970s, when the game was considered a males-only sport in America, and faces a lot of opposition from her school. I finished my review with the line, "If it were football, would we be agreeing more with Gracie's opponents?" The Longshots gives us the opportunity to consider that question. Can we sympathize with, and cheer on, a girl who wants to succeed as a quarterback in an all-boys' football league? The answer is yes, because The Longshots focuses on characters and personal relationships and as a result, feels richer and more satisfying than the standard sports-genre film.

The story is simple and except for the girl-quarterback angle, old-fashioned in a Capra-esque way. Jasmine (Keke Palmer) is a middle-school loner and misfit in a small town hit by economic troubles. Her mom Claire (Tasha Smith) has to work longer hours at the diner -- dad ditched town and family several years ago -- and Jasmine is still too young to be left alone after school. So Claire pleads, nags and finally bribes her husband's brother Curtis (Ice Cube), an unemployed ex-football player, to keep an eye on his niece Jasmine. Of course they can't stand each other at first, but eventually Curtis discovers that Jasmine has an excellent throwing arm and teaches her how to be a quarterback. Meanwhile, the town's playground football team is languishing, and one thing they're missing is a decent quarterback, sooo ...

When the 1932 Olympics hit LA, it began a long history of synergy between the games and the movie business. That synergy led to Zhang Yimou, China's answer to William Wyler, who gave the recent opening ceremony all due pageantry. Over the years, the Olympics contributed to the movies, foaling movie stars by the ton. The games were a casting call whenever one needed someone as chunky as a wrestler or as slender as a swimmer, or Tarzan, who I guess is a combo of swimmer and wrestler. My favorite will always be Harold "Oddjob" Sakata, silver medalist in the light-heavyweight weight-lifting competition at the 1948 Olympiad. Defamer.com has the more tragic roster of Olympians who pursued cinematic careers like those of Mitch Gaylord and Bruce Jenner. The games have foaled classic documentaries, too, the most well known example is Leni Riefenstahl's 1938 Olympia. Yet there have been these lesser known pictures about this world-wide fest:

News bites for your Tuesday:

• In the wake of failed attempts at the Triple Crown and terrible horse injuries, Variety reports that Disney is getting ready to revel in Big Red, Secretariat. Mike Rich wrote the script, and Randall Wallace has signed on to direct. The film will focus on the story of owner Penny Chenery, and how she took over her father's horse farm, was slapped with a huge inheritance tax upon his death, and still managed to save the farm and horse. Secretariat then became the first Triple Crown winner in 25 years.
• On the more artsy side of things, Variety reports that Taylor Hackford is cooking up a film called Tenn, focusing on "the formative years" of Tennessee Williams. Robin Shushan wrote the screenplay, which delves into the playwright's "tumultuous upbringing -- complete with a scornful father, depression, conflicts about sexuality and watching his beloved sister institutionalized and lobotomized." In other words, a rip-roaring laugh fest. The project is said to be similar to Capote and how tragedy can breed success.
• Lastly, The Hollywood Reporter posts that Alexander Belyaev's The Amphibian is headed for the big screen, courtesy of Stone Village Pictures. The hunt is underway for a screenwriter, and the company is planning comic books/graphic novel adaptations to accompany the film. It's a strange twist of a story -- an American surgeon in the Amazon saves his son from a fatal respiratory disease by giving him shark gills. But when the underwater kid saves a girl from a shark attack, things get complicated as they fall for each other. It's like Aquaman meets Splash!
  

Darren Aronofsky's The Wrestler is surely one of the fall's most enigmatic releases -- and one of the most eagerly awaited. Bad Taste got hold of the first production stills from the film, and it looks every bit as creepy and moody as you'd expect from the man behind Requiem for a Dream and The Fountain (which was awesome despite its generally negative reception).

The movie is about a retired professional wrestler, played by Mickey Rourke, who is trying to survive on the small-time independent wrestling circuit. It sounds campy, but I think it's more likely to be grim -- I've read some stories about that scene (anyone else read Swan Song by Robert McCammon?) and it sounds, if anything, awfully depressing. These photos confirm that, I think, as does the fact that Clint Mansell is once again writing the musical score.

The movie premieres in Venice next month, then Toronto shortly thereafter. It doesn't have a US distributor yet, but I'm guessing that won't last long. Check out a couple more photos (including one featuring Marisa Tomei as a stripper) in the gallery below, then see the rest over at Bad Taste.

I discovered Eric Roberts through Nobody's Fool. He played Riley, a stage technician who falls for the wacky but lovable Cassie (Rosanna Arquette). It's one of those flawed movies that's perfectly enjoyable when watched with the comfortable eyes of nostalgia -- it's not the greatest feat of filmmaking by far, but it's a movie of memories and awkward '80s charm. Watching that, Mr. Roberts became my movie hero.

Yesterday, the world belonged to sister Julia, and today it belongs to daughter Emma, but for some of us, it's always been Eric's world. Over the many years of acting, he's amassed controversy, critical feats, and brow-raising stinkers, bringing us a long selection of roles that should always stay on the radar. Tonight, I want to give you a taste of his accomplishments, as well as a little bit of heroics, because these days, he's like the wonderful Christopher Walken -- mostly pigeon-holed into the tough, meanie, or jerky roles. Without further ado, I give you: The Pope of Greenwich Village and The Best of the Best.

Last year, Christopher Campbell gave us a Michael Cera "rewind" from Steal This Movie. I hate to be repetitive, but there's another clip I just have to share. Did you know that George Michael once popped up in a Mary Kate and Ashley Olsen television movie called Switching Goals?

He plays Taylor, a jerky tyke who is mean to Ashley and tells her she can't be a good goalie. (This inner-movie knowledge is thanks to the IMDb message board.) In the clip above, the kid gets to be jerky while buying cleats. "Watch it! I have a very delicate bone structure!"

See? Cera can be more than just sweet, passive little boys. He can be a snarky dude trying to protect his bones as well!

Last Rewind Answer: While most of you guessed that Tom Cruise was the man who wasn't considered for the part of Jim Morrison in The Doors, it was actually James Spader.

It's been called one of the greatest documentaries ever made. It's a 170-minute-long juggernaut of a film. The fact it was snubbed by the Oscars created such a public outcry that the Academy was compelled to change the very voting process for the documentary field. And, like finding a piece of filet mignon at the local fast-food joint, Hoop Dreams is now nestled in alongside old Buffy re-runs, Simpsons clips and other offerings at Hulu.com.

Directed by Steve James, Hoop Dreams follows two young men from Chicago and their struggles and triumphs on and off the basketball court as they aspire to go from grade school promise to high school stardom and hope make it to the NBA. Shot over a period of years, Hoop Dreams has been called one of the finest documentaries of all time, and the indie-consultancy group Cinetic has made it available on-line at Hulu.com. And, of course, part of me is looking for the cloud around this silver-lined opportunity: What's Cinetic hoping to get out of this? What's Hulu hoping to prove? And if you're hoping to prove the viability of Hulu as a distribution model for documentaries, why would you pick a 14-year-old film that already has a great Criterion DVD? And finally, as much as I admire Hoop Dreams and the idea of it being available on-line, I have to wonder if anyone is going to sit in front of their computer screen for the full 171-minute running time of the film. ...