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Watch: Famous 'Matrix' Scene Re-Created with LEGOs
Filed under: Action, Sci-Fi & Fantasy, Fandom, Trailers and Clips, Fan Made
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It's the day before a major holiday, and all you want to do is surf around looking for things to occupy your time before the boss finally lets you leave a drop early. Am I right? Well here's a little treat that will take up all of about a minute and a half of your time. Pieced together to celebrate the 10th anniversary of The Matrix, a group of freaks with 440 extra hours on their hands decided to recreate the famous "Trinity Help" sequence using LEGOs. This is the scene where Neo manages to dodge some agent bullets in super slow-mo before Trinity finally shows up to help her man squeeze out of a tough spot.
And yes, I wasn't joking -- it really did take a whopping 440 hours to put this together. The folks behind it even created a website dedicated solely to this project. In it, they describe the making-of process and include a side-by-side video comparison featuring both the real scene and the LEGO version (we included both after the jump). From their description:
Just in time for its 10th year anniversary, "Trinity Help" is a frame-accurate stop-frame animation of the famous bullet-dodge scene from the 1999 movie The Matrix, all done in Lego. By "frame accurate" we mean that we took all of the video frames from that part of the movie (that's nearly 900 frames for just 44 seconds of footage) and reproduced them all in Lego.
Early in the piece we decided we wanted to do everything "in camera". No wire-removal, no special effects, no crazy Photoshop tricks. We pretty much regret this now, but I guess it gives us bragging rights of some sort. We did do some colour correction and image stabilising, and at one point we edited a very small number of frames in one scene so that some minor background shake was taken out, but that's it.
Watch the video(s) after the jump.
Learn the Real Reason Darth Vader Wears a Helmet
Filed under: Sci-Fi & Fantasy, Fandom, George Lucas
Everyone loves the brooding, over-bearing look of Darth Vader; clad all in black, draped in a cape, wearing an almost featureless mask. We're given no glimpse of any speck of his flesh, forcing us to speculate what kind of person the embodiment of evil actually looks like, and when we're finally given a look at the man under the mask in Return of the Jedi, we understand the reason for his full-body suit: Vader is horribly disfigured, his body severely withered for reasons yet to be revealed.
However, protecting his crippled frame is not the real reason behind Darth Vader's helmet and breathing mask. The following may be common knowledge for die hard Star Wars trivia masters, but for those of us casually in love with the original trilogy, it should come as an amusing bit of insight into the design of one of cinemas most iconic characters. SCI-FI Wire recently interviewed Ralph McQuarrie, George Lucas' conceptual designer responsible for the look of much of what ended up in Star Wars, including Vader's appearance, and the reason he gave is more mundane than menacing:
DreamWorks Puts 'Real Steel' In Their Ring
Filed under: Action, Sci-Fi & Fantasy, Sports, Deals, Paramount, DIY/Filmmaking, Newsstand, Dreamworks, Steven Spielberg
If you held out faint hope that Hugh Jackman wouldn't be helping Shawn Levy box robots, and would abandon it for a feature film adaptation of A Steady Rain, kiss it goodbye now. Variety reports that DreamWorks' Steven Spielberg and Stacey Snider have green-lit Real Steel, making it the studio's first big financial project since it split with Paramount, and had to find its own money.Spielberg was attached to the project as executive producer when it was first announced, and it seems that it's been a real passion project for him. DreamWorks bought the project back in 2005, and it was one of the films they held onto after splitting from Paramount. "When we took it with us, we really highlighted it as something we would put the pedal to metal on," said DreamWorks co-president of production Mark Sourian. "It's a project that Steven always wanted to do. It just came together rapidly after we left Paramount." The film will be made for the relatively low budget of $80 million, and will begin production next June.
With a low budget to avoid Transformers excess, perhaps the magic of Spielberg and Richard Matheson can overcome the kiddie tendencies of Shawn Levy, and turn it into something special. A lot of commenters mentioned that Matheson's story was adapted into an episode of the Twilight Zone called Steel. Happily, it's online and I've embedded it below the jump. It really is a good episode, and while Levy keeps stressing that his Real Steel is grounded in its "father-son relationship," I hope it can retain a bit of Matheson's grit. I could be happy with a robot version of Million Dollar Baby.
In Defense Of: 'The X-Files: I Want to Believe'
Filed under: Sci-Fi & Fantasy, Thrillers, Fan Rant
*There are spoilers here.*
I've been meaning to write this for a while, but wanted to wait until I could give The X-Files: I Want to Believe a second viewing, which I finally did yesterday, on beautiful Blu-Ray. I am a long-time X-Phile; the show, which I started watching around age 13, is one of my formative viewing experiences; I trace my current love for things ambiguous, fantastic and otherworldly squarely back to Chris Carter's brilliant creation. And I dissent in a big way from both the layman and fan consensus on I Want to Believe. I still think, as I did in the summer of 2008, that the movie is a fantastic X-Files episode. But more importantly, I still think it is a genuinely moving farewell to two beloved characters, and one of the most satisfying pieces of closure that any long-running series or franchise has ever given us.
One thing that I suspect threw people off was the movie's snowbound melancholy, replacing the apocalyptic terror of The X-Files' last big-screen outing, 1998's Fight the Future. There's some excitement here, and a few laughs, but the overall tone is more akin to "Beyond the Sea," the beloved, somber first-season episode that was more concerned with personal demons than actual ones. It's hard to fault moviegoers for expecting something bigger and louder out of what was, after all, pitched as the popular series' triumphant return. But it's also hard -- or at any rate it should be -- to fault Chris Carter and his team for wanting to take the movie in a different direction. Rather than have Mulder and Scully go out with a bang, they chose to put them to bed, give them a hug, and tuck in the covers.
Watch This: A 'Twilight' Intervention
Filed under: Action, Drama, Romance, Sci-Fi & Fantasy, New Releases, Trailers and Clips
"Team Jacob!" roars a trio of dudes in a bar. Drinks are flowing fast. "A typical horrible Monday just became amazing," gushes a woman who's about to go see a private screening of Twilight: New Moon. The crowd moves from the bar to what looks suspiciously like a high school theater to get amped up for some muscle-bound shirtless werewolf action."C'mon, get out of your seats! Are you ready?" The fans, who are all most certainly of drinking age, are definitely out of their seats and screaming. They're so ready!
"Too bad!" cackles the emcee, and the curtains part to show a young comedian named Skyler Stone who's there to stage an intervention, via FunnyorDie.
"Ladies and gentlemen, you are not going to see Twilight: New Moon tonight." For some reason (I think it has to do with alcohol), the audience is still cheering, but this statement brings a solitary "NO!" Stone continues, "This is a vampire intervention because you clearly don't know what the f*ck a vampire is!" Is that male laughter in the background? Wooing begins. Is this real or is it fake? Stone berates the audience and insults Rpatz with aplomb. Still, the cheering continues!
"Why are you cheering?!" he yells at them. "Do you understand you're not seeing Twilight tonight?"
Will there be a riot? Bloodshed? Will Stone leave the theater intact? Find out what happens after the jump.
Chris Weitz Blames New Line For 'The Golden Compass' -- Do You?
Filed under: Sci-Fi & Fantasy, New Line, Celebrities and Controversy, DIY/Filmmaking, Newsstand, Religious, Fan Rant
Now rolling in New Moon millions, Chris Weitz is being more open about his troubles with New Line and The Golden Compass, a film that sank one studio and sent him into a tailspin. Rumors abounded as to what went wrong on that film, and as recently as last week, New York's Page Six was claiming that residual stress was causing him to leave the industry.Weitz denied any such thing to Variety, and announced he was leaving the world of the supernatural behind with his next film, The Gardener. The film centers around a hard working Mexican gardener and his efforts to protect his son, and Weitz will be making it alongside his new best friends forever, Summit Entertainment. His new friendship enabled him to take a parting shot at New Line. Weitz praises Summit and Stephenie Meyer for trusting him with New Moon, an experience that was the polar opposite of the debacle that was The Golden Compass.
Weitz claims that New Line didn't trust him to handle the content of the book, that the film was taken from him in editing. Heavy-handed hacking resulted in losing nearly 30 minutes of footage from the film, and neatly exercised the edgy thrust of Phillip Pullman's book. "It was an utter violation of my status as a director and the worst thing that has happened to me professionally ... I was treated badly, it was almost like they never read the books. They seemed frightened of offending the right." Out of loyalty to the cast and crew, Weitz said he "bit through my tongue" when Compass was released.
As a fan of Pullman's His Dark Materials series, I'd love to see all that missing footage to see if it could salvage Weitz's film, and if New Line really neutered it.
Go below the jump for the rest
Joshua Jackson Flies Away In a 'UFO'
Filed under: Action, Independent, Sci-Fi & Fantasy, Casting, DIY/Filmmaking, Newsstand, Remakes and Sequels
There seems to be a slow and steady drive towards remaking everything that ever appeared on British television. I suppose that's all right (they do have fantastic shows and made-for-television movies in the United Kingdom) but what happens on that dark day when Hollywood runs out of British productions? Yikes. Let's not think about that, and turn instead to the dark version of 1980 that's being remade for the modern viewer, as Variety reports that British favorite UFO is being re-imagined for the big screen. UFO will be helmed by Matthew Gratzner, and will star Joshua Jackson. The British premise for UFO was set in the near future (ten years in their case -- the show aired in 1970 and took place in 1980) where aliens had conquered Earth. Naturally, they didn't do so with altruistic means, but to use us as an organ harvesting ground. Humanity's future lay with SHADO, (Supreme Headquarters Aliens Defense Organization), a covert organization pretending to be a movie studio, who defend against the alien horde. Many have tried to remake UFO and failed, the last evolved into Space: 1999. (I can't find any reference as to V took any inspiration from it. The timing screams that it wasn't a coincidence.)
Jackson will play Paul Foster, a test pilot who joins SHADO. Foster is one of the original characters, and had an interesting little conflict after he became involved with the enemy. Since Gratzner praises his ability to show Foster's "inner conflict," the movie will undoubtedly take that and run with it. The movie is aiming to begin filming in the spring.
'Avatar' Watch: Running Time Announced and New Featurettes
Filed under: Action, Sci-Fi & Fantasy, Fandom, 20th Century Fox, Newsstand
Though early rumors suggested the film was going to clock in at over three hours, 20th Century Fox claims James Cameron's Avatar will instead clock in at 150 minutes (or 2.5 hours), or about 156 minutes if you count the credits. The main reason why the film will run under three hours is because of the IMAX showings. Avatar will open in about 180 domestic IMAX theaters on December 18th, and because of the way the IMAX system is set up, the theaters that aren't converted over to digital projection can only hold about 170 minutes worth of film. But while Cameron's final edit came in significantly under 170 minutes, there's no saying whether there will be a cut on the DVD that will run over 170 minutes. According to The Hollywood Reporter, Avatar will open on a minimum of 5,500 screens, with almost half of those screens equipped to show the film in 3D.
In other Avatar news, two new featurettes were released online toward the latter part of the week. IGN UK unveiled one behind-the-scenes video focused primarily on the realistic sci-fi equipment created for the film, and Coke Zero released a video that introduces Stephen Ling's character, Col. Quaritch, and reveals a whole bunch of new footage. You can watch both videos over at SciFi Squad.
'New Moon' Smashes 'Dark Knight's' Opening Day Record!
Filed under: Drama, Sci-Fi & Fantasy, Box Office, Fandom, Newsstand
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According to ERC, The Twilight Saga: New Moon sold roughly $71 million (Variety is reporting $72.7 million) worth of tickets on its opening day -- a number that, if correct, far surpasses the current opening day box office record of $67 million set by The Dark Knight back in 2008. With its $26 million take in midnight showings, that gives the second installment in the Twilight franchise two pretty giant records: Best Midnight Opening and Best Single Day Opening. Next up for the franchise is the three-day opening weekend record, also held by The Dark Knight with $158 million.
So what does this say about us? Well, while it's not as critically acclaimed as, say, Harry Potter and the Half-Blood Prince (previous midnight opening record holder) or The Dark Knight, these numbers do show just how much of an impact the female audience can have on a box office take. Sure, when The Dark Knight broke records everyone wanted to single out the teenage male audience as having won that film its titles, but polls showed females were responsible for upwards of 50% of that film's opening box office too. And now, with New Moon breaking records attracting a younger female audience, here's hoping studios wake up and realize that, yeah, the female audience is a damn powerful force.
So kudos to all you Twi-hards for showing up to support the property you love. Is the film truly worthy of its new records? Probably not. Will another film break those records within the next year? Yeah, most likely. But dammit if the folks at Summit Entertainment aren't partying their asses off this weekend. They just won the World Series at the box office. Congrats!
Review: Planet 51
Filed under: Action, Animation, Comedy, Sci-Fi & Fantasy, Sony, Theatrical Reviews
As voiced by Dwayne "the artist formerly known as The Rock" Johnson, astronaut Chuck Baker is the paragon of all-American achievement -- that is, until he conquers a far off world with an unexpected population, one inexplicably steeped in our '50s-era culture and terrified by the prospect of an alien invader in human form. More unfortunately for us, Chuck has landed smack-dab in the middle of Planet 51, a short-sighted assembly of sci-fi references and scatalogical humor that should nonetheless placate undemanding tots and, by extension, their undiscerning parents for ninety minutes or so.
Shelf Life: Fight Club_thumbnail.jpg)
Watch: Famous 'Matrix' Scene Re-Created with LEGOs
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Spin-ematical: New on DVD for 11/24
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