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Review: The X-Files: I Want To Believe
Filed under: Horror, Sci-Fi & Fantasy, Mystery & Suspense, Theatrical Reviews, 20th Century Fox, Comic/Superhero/Geek, Remakes and Sequels

The X-Files: I Want to Believe offers the viewer many mysteries to contemplate -- and only one of them is on-screen; as David Duchovny and Gillian Anderson return to roles and a franchise that last graced our TV screens in 2002 (and was last on the big screen in 1998), your mind swirls around the behind-the-scenes facts as fiercely as it does around the events playing out before your eyes. As reclusive, retired ex-FBI agents Fox Mulder and Dana Scully (Duchovny and Anderson) help the FBI with an abduction case, you're not following the plot as such; instead, you're thinking things like Hey, didn't this show get canceled six years ago? Haven't Duchovny and Chris Carter, the star and director of this film, both sued the studio behind it? Who, out in the movie going audience, is really clamoring for this movie? If you're an X-Files fan, is this film's freestanding creepy tale, with no link to the weird and convoluted mythos Carter came up with for the show, going to satisfy whatever itch you may still have for the franchise? And if you're not an X-Files fan, is the idea that this film stands alone enough reason to come to the franchise now?
Toronto '08 Announces the 'Midnight Madness' Slate!
Filed under: Action, Animation, Comedy, Foreign Language, Horror, Independent, Sci-Fi & Fantasy, Thrillers, Mystery & Suspense, Toronto International Film Festival
OK, so I missed my flight to San Diego this morning and I've had a really rotten day, but there's always a small silver lining, right? In the movie world there is: JUST announced (like, within the last few minutes!) is the Toronto Film Festival's Midnight Madness '08 line-up. And, as usual, it looks pretty damn awesome.I've heard some really good things about Pascal Laugier's Martyrs, Franck Vestiel's Eden Log, and Jon Hewitt's Acolytes -- plus I've been itchin' to see JT Petty's horror-western The Burrowers for over a year now! Other selections include Pracha Pinkaew's Chocolate, Toshio Lee's Detroit Metal City, and Mark Hartley's Not Quite Hollywood. Click right here for all ten of TIFF's Midnight picks --and of course you can expect all sorts of expansive festival coverage once TIFF rolls out in early September. Woo!
(Note: Rocchi got all excited about JCVD being chosen as one of the Midnight selections, which is a title I neglected to mention the first time around. Ditto Sexykiller and Deadgirl.)
( Also announced today: Toronto's Wavelengths and Sprockets Family Zone selections. )
Fan Rant: Simmer Down, X-Philes
Filed under: Sci-Fi & Fantasy, Mystery & Suspense, Fandom, 20th Century Fox, Comic/Superhero/Geek, Remakes and Sequels, Fan Rant
This summer has been a big one for the fanboy (and girl) nation. Geeks have rejoiced as their favorite icons have come to grace the silver screen either once again or for the first time -- Tony Stark, Indiana Jones, Bruce Wayne, Bruce Banner, Kit Kittredge -- with each film accompanied by its own modest fan frenzy (yes, a $155 million opening weekend equals modest 'round these parts).
But naturally, as if so often the case with the potent combo of radical fanaticism and internet anonymity, the nastier trolls have not seen fit to shirk their responsibility of maintaining the sacred Tomatometer with a crudely constructed death threat or two (or two hundred). For them, this is personal. They can't possibly enjoy their long-awaited flick should some goateed snob decide to feel any degree of lukewarm or otherwise before the public gets their peek.
This is blood for blood, and by the comment. These are the new days, the bad days, the all-or-nothing days. They're back.
Review: 'Take'
Filed under: Drama, Independent, Thrillers, Casting, New Releases, Tribeca, Mystery & Suspense, Celebrities and Controversy, Box Office, Scripts, Movie Marketing, Politics

Death is the ultimate dramatic device, but great art doesn't emerge from strong devices alone. In Take, the directorial debut of Charles Oliver, the impact of a single, startling tragic death immediately conveys the sense of watching a gravely serious movie, which is definitely the case. However, having immediately provided a tone, Oliver fails to follow up with a story powerful enough to justify it. That's not to say that the experience Ana (Minnie Driver) goes through after her son dies in a freak accident before the start of the film isn't relentlessly bleak, but there's hardly anything distinctive about the circumstances to make viewers care any more than they would if they were glancing at it in the morning headlines.
Still, Olilver has made a quietly observant work solely driven by the specific needs of two downtrodden protagonists with completely believable motives. In flashback, we learn that Ana struggled with her son's elementary school, which wants to put him in a special needs program. Meanwhile, she has a hard time communicating with her husband and finding decent work to get by. Elsewhere, reckless gambling addict Saul (Jeremy Renner) destroys his life in a whirlwind of debt. His misfortune, as it's shown in early scenes at a prison where Saul awaits execution, will lead him to accidentally murder Ana's innocent child, Jesse (Bobby Coleman).
We've Got a Date for the 'Dance of the Dead'!
Filed under: Foreign Language, Horror, Independent, Mystery & Suspense, Home Entertainment
I'll admit it: Most of the indie / foreign horror films that I see at film festivals and then recommend like crazy ... are not exactly "mainstream" titles. My apologies if you watched Inside, Teeth, or Frontier(s) with your mom -- although she'd probably like The Signal. Heck, even my preferences in studio horror fare tend to run towards the bleak, and hats off to The Mist, The Ruins and The Strangers for keeping me on my toes.So what's my point? There's one particular indie that is absolutely NOT a gorehounds-only affair. I actually expect quite a (relatively) mainstream groundswell of support once Gregg Bishop's Dance of the Dead hits DVD -- and according to good ol' Bloody-Dee, that DVD will arrive on October 14. Yes, the movie is about a prom that's been overrun by zombies, leaving only the dateless outcasts to save the day, and sure, it's got some gore, some salty language, and some playful sexiness -- but dang if the Dance of the Dead doesn't feel like something Spielberg might have done as a newcomer. (And actually liked horror movies.) It's quick and colorful and jaunty and amusing -- and I think that's the first time I've ever used the word "jaunty" in any capacity. Anyway, toss a red circle around this title. It's not just for the horror fans. (No less than eight Cinematical staffers saw and really enjoyed it.)
And hey, get this! Lionsgate is absolutely GUSHING horror flicks on October 14! Not only the Dance will hit DVD on that date, but seven more titles as well: Brotherhood of Blood, Dark Floors, The Last House in the Woods, No Man's Land: The Rise of the Reeker (cool!), Room 205, The Substitute, and something Russian called Trackman (that looks pretty wild). Now that sounds like a Halloween party!
Brad Anderson Cooking Up Lots of Horror
Filed under: Horror, Thrillers, Noir, Mystery & Suspense, Remakes and Sequels
The first Brad Anderson film I saw was Session 9. (I also spent $27 on the out-of-print DVD, which I've watched at least three times in the last year. It's a great movie.) And then I saw his dark and twisted love letter to Alfred Hitchcock: The Machinist. Wow. Aside from Christian Bale's staggering performance, it's just a rock-solid, old-fashioned mind-bender of a noir thriller. Good stuff. Most recently I saw the director's train-bound and icy chiller Transsiberian at Sundance, which (shocking!) I also enjoyed quite a bit.Which leads us to a logical question. What can Brad Anderson fans expect next? According to Bloody-Disgusting, the writer / director is not straying far from the genre fare any time soon. First on the filmmaker's plate looks to be All Lost Souls, which is a "serial killer movie," and then perhaps Vanishing, which Anderson describes as "a smart post-apocalyptic horror film." Sounds good so far.
But even further down the road, Anderson could be looking at a remake of the 1943 occult flick The Seventh Victim -- and a Cronenbergian thriller called Concrete Island, which just might reunite the director with two of his Machinist collaborators: screenwriter Scott Kosar and low-key superstar Christian Bale. And to all those projects, I say this: Cool. Get to work, Brad!
[ Thanks to Bloody-Dee for the cool info. ]
'Watchmen' Panel-to-Screen Comparison
Filed under: Action, Sci-Fi & Fantasy, Mystery & Suspense, Warner Brothers, Fandom, Comic/Superhero/Geek, Images
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One of the most wonderful things about geekdom on the Internet is how fast it sets to work. The Watchmen trailer hasn't even been out for 24 hours, and already folks are analyzing its every second -- with one dedicated fan comparing its frames to the panels of the original book. The hardworking one is Brad Brevet over at Rope of Silicon, and he really has done a great job. If you decide to look, and are unfamiliar with the source material, beware of spoilers.
As he did with 300, Zack Snyder has really managed to bring the frames to life. His eye for this is uncanny. There are few comic book adaptations where one gets goosebumps, or jumps out of their seat and says "It looks just like the book!" Of course, Snyder has tweaked it -- he's changed the costumes, and he's given it his own style -- but it's still better than I ever thought it would be. Whether he brings the book to life is, of course, the million dollar question. I'm happy just being entertained by the possibility, though.
For me personally, the money shots were the funeral, Jon being ripped apart into particles, and Archie the Owlship. Even my sister, who loathed the book, is in love with the faithful rendering of Archie. The shot of it flying out of the water is actually enough to convince her to buy a ticket. (I'm not sure why, but let's just leave that up to her.) And surely if she can be sold on it, the rest of us can be too.
Watchmen opens March 6th, 2009.
UPDATE: Warners sent us over a whole new crop of Watchmen photos. Check them out in the gallery below ...
The Beginner's Guide to the 'Watchmen' Trailer
Filed under: Action, Classics, Sci-Fi & Fantasy, Mystery & Suspense, Warner Brothers, Fandom, Movie Marketing, Comic/Superhero/Geek, Trailers and Clips

Watchmen is set in an alternative 1985, and if you glance at the photos of the Owl Ship and Oxymandias, you'll see the evidence in a lost landmark, and a president long gone. Like most comic book realities, costumed superheroes ( or "costumed adventurers" as they're called in the book) are real, but most have a pronounced lack of superpowers. Watchmen centers on two generations of them -- the Minutemen, and the Crimebusters. No one is actually called "the Watchmen" in the story; the title refers to any group who's goal is to protect society from themselves. Hence the phrase, repeated throughout the book and film, "Who watches the watchmen?"
[ Continued after the jump ... with more pics! ]
The 'Watchmen' Trailer is HERE!
Filed under: Action, Drama, Sci-Fi & Fantasy, Noir, Mystery & Suspense, Warner Brothers, Movie Marketing, Comic/Superhero/Geek, Trailers and Clips
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Update:
Update 2: The trailer has now gone live over at Apple.
Update 3: Beautiful trailer stills in the gallery below ...
We could have embedded a half-decent YouTube version a few hours ago, but considering the movie we're dealing with (and owing in no small part to professional courtesy) we decided to wait for the official release of the very first Watchmen trailer. It's available (exclusively, for the time being) at Empire, although you'll almost definitely see the clip this weekend when you head out to see The Dark Knight. (Notice I didn't say "if.") Again, click here for the trailer.
Having read Moore & Gibbons' Watchmen only once -- and therefore being a relative newbie -- I cannot comment on the geek-tastic little pieces of minutiae that are undoubtedly bouncing through this trailer. Is Dr. Manhattan the right shade of blue? Does Rorshach's mask look accurate? How Batmanny does Nite Owl look? And what of the infamous newsstand? (Are there pirates?)
As a huge fan of trailers in general, I'd say this is a very well-balanced and powerful promo clip. Newcomers will see a stylish-looking adventure story full of weird-looking characters -- and the hardcore fans will probably really like what they see. (Plus that's one unique explosion I just saw.) I'll leave it to our resident comics wizards to delve a bit deeper. Well, our wizards and our readers, obviously.
Topics for discussion: The music. The costumes. The cast. The production design. The heart-crushing disappointment you'll feel if the movie sucks even though you know if probably won't. At all.
Fantastic Fest '08 Announces First Bunch of Freaky Films
Filed under: Action, Animation, Comedy, Documentary, Drama, Foreign Language, Horror, Independent, Sci-Fi & Fantasy, Thrillers, Mystery & Suspense, Shorts, Family Films, Fantastic Fest, Comic/Superhero/Geek
Aw yeah, this is just about my own personal version of Christmas Eve. The first wave of titles for the Austin's lovely Fantastic Fest has splattered into my inbox, so instead of me rambling on about how great Austin is in late September, especially if you're a massive fan of films gory, scary, sexy, twisted and weird, I'll just direct you to a very handy FF press release.But not before I say this: Of the flicks chosen already, I've seen precisely five: Let the Right One In, Donkey Punch, Spine Tingler, Terra, and Jack Brooks: Monster Slayer. A Swedish vampire coming-of-age story, a British thriller about boat-bound terror, an American documentary about a beloved schlock-slinger, a multi-national animated adventure story, and a scrappy little indie full of monsters that Rick Baker would adore. So from just one random sampling, this is one eclectic mixture of movies. Oh, and for the Hollywood fans: DJ Caruso's Eagle Eye will have its premiere at Fantastic Fest. By only a few days but damn cool anyway. Oh, and a screening of The Tingler? Beyond cool.
Click on in for the first full press release on Fantastic Fest 2008.








