I tried to get the YouTube version embedded up in here, but it looks like it's been yanked down -- which means you're better off going through the official Twilight website, which will direct you to the appropriate social networking site. Because what's more social than sitting in a quiet movie theater for two hours?

I tried to check out the trailer for myself, but between the always-twitchy MySpace and the various "blockers" I have installed on my browser ... it just didn't happen. So I'll leave it to those hardcore fans who already love the film (despite the fact that it doesn't open until the end of next month) to tell me how this new promo clip rates on the omg-O-meter. Also available at the official site is your chance to win an autographed Twilight baseball, which seems kinda silly because they should be giving away bats.

(Actually, skip the MySpaz site altogether. Watch the trailer in wonderfully diminutive "widget" style right here.)

As far as Hollywood's reliably tepid horror output is concerned, Quarantine works as every bit the disposable jolt dispenser it's assembled to be. It's got a nifty enough concept in its favor and a mildly recognizable cast that needs not fear any characterization coming between them and certain death by the time the credits roll, and it's hard to believe that there's not at least one sequence in here that might get even the most cynical horror fan's heart rate to rise a beat or two -- and I say this as a documented fan of the (still superior) source material.

Young news reporter Angela Vidal (Jennifer Carpenter) and her cameraman (Steve Harris) are covering a Los Angeles fire station during their nightly routines when the two tag along on an emergency call to an apartment building. Not terribly long after their arrival, all hell breaks loose and the building's occupants -- Angela included -- find themselves contained within against their will and left to fend off a dangerous virus that causes the infected to become a rabid zombie variant, one aggressively determined to spread the love around.

Despite having previously established my feelings about this weekend's Quarantine, I must confess a new willingness to give it a fair shot later tonight. Regardless, this week's Cinematical Seven is all about first-person horror movies, with a couple of oh-so-subjective stipulations:

• We're leaving The Blair Witch Project (1999) out of this. It might not have been the first of these movies, but it was undeniably the most successful and influential. There are only seven slots here, and I feel like everyone has already made clear whether they find this scary or just stupid (I fall in the former grouping, though I say this having not seen the flick since my teens). If you still feel the need to take BWP to task, comment away.
• Also omitted will be The Last Broadcast (1998), which drew mild controversy at the time of its release for its similarity to Blair Witch. I'm only not writing about it because the copy of it sitting just over on my shelf here has remained unwatched. My bad.
• The previous film by the guys behind Quarantine is The Poughkeepsie Tapes (2007), which -- being in the hands of the Weinsteins -- has not yet seen the light of day beyond a couple of festivals. Having not attended any of said festivals myself, I'll just sit here and guess that it'll get dumped to DVD (probably under the Dimension Extreme label), and not any earlier than next year at that.

Now, on with the list...

Like several worthwhile movie companies, Anchor Bay began by catering to the horror geeks. The company delivered fantastic DVDs of cult and classic genre flicks, and then began to branch out in all different directions. Over the past year or so, AB has dipped its toe into the theatrical pool, and now it looks like they're about to bring their cinematic output to a whole new level.

According to Variety, the "plan is to primarily acquire finished films it will roll out theatrically on fewer than 100 screens before distribbing them on other platforms like DVD, Starz's pay-TV service, the Internet, pay-per-view and video-on-demand, for example." The article goes on to mention the distributor's early forays into theatrical release -- titles like The Grand, Sex and Death 101, and Surfer, Dude -- but there's no mention of Hatchet, Spiral, and / or Behind the Mask in this story? Coulda sworn they were earlier than those other flicks.

Anyway, good luck to Anchor Bay in their ten-movie-a-year plan. Here's hoping most of their acquisitions are good ones -- and that a few slots are still dedicated to the scary stuff. (I'm betting that Rob Hall's Laid to Rest will be one of AB's early releases, and Erik says the "very funny" Bart Got a Room should also be on that list.) Glad to know that the money I spent on three different DVD versions of Evil Dead 2 is being used wisely.

If the current financial crisis is getting you down, how about a post-apocalyptic vision of poverty and murder to cheer you right up? Or, then again, maybe not. The Hollywood Reporter announced that Dominic Monaghan (LOTR) and Freddy Rodriguez (Planet Terror) have signed to star in the horror-thriller, Fortuna.

The flick is set in a future of extreme wealth and poverty. The world's elites have devised a way to reduce poverty by offering citizens the chance to compete in a mysterious game known as Fortuna, in which one person will be whisked away to life of riches and luxury -- what could go wrong? Well, if you have ever seen a movie before you can probably guess that maybe the prize isn't all it is cracked up to be.

Writer-director Barthélémy Grossmann will appear alongside Rodriguez and Monaghan as one of the contestants, and the film is expected to start shooting on location in Bulgaria. According to THR the production is already underway, and, "ghetto like sets are being built for a film Zilber compares to 1973's post apocalyptic thriller "Soylent Green."

Grossmann is a relative unknown to most of us in North America, and this appears to his first foray into English film making (but the recognizable faces of Monaghan and Rodriguez should help the project earn a little attention). Even though it might not be the most original idea for a film (I like to think of it as Running Man meets Regannomics) but I guess everyone has financial collapse on the brain anyway, why not turn it into big-screen entertainment?

Despite having six new wide releases last week, only Beverly Hills Chihuahua and Nick and Norah's Infinite Playlist cracked the top five. In its third week of release, Appaloosa expanded into an additional 1,031 theaters, allowing it to take the number five spot. Here's the top five.

1. Beverly Hills Chihuahua: $29.3 million
2. Eagle Eye: $17.7 million
3. Nick and Norah's Infinite Playlist: $11.3 million
4. Nights in Rodanthe: $7.3 million
5. Appaloosa: $5 million

Body of Lies
What's It All About: In this Ridley Scott film, Leonardo DiCaprio plays a CIA agent tracking terrorist activity in Jordan, with Russell Crowe playing the veteran agent who helps him infiltrate the terrorist underground.
Why It Might Do Well: This film reteams DiCaprio with William Monahan, the screenwriter behind The Departed, and the flick is sporting a 70% fresh rating at rottentomatoes.com.
Why It Might Not Do Well: This being an election year, there are already enough lies kicking around.
Number of Theaters: 2,500
Prediction: $26 million

Stop me if you've heard this one before. It's an American remake of an Asian horror film about ghosts that seek revenge against, or try to pass messages to, the living. And the studio's releasing it in January. But instead of listing the first 20 films matching that description that come to mind, watch the new trailer for The Uninvited, courtesy of Rotten Tomatoes (we've got it embedded below).

The trailer makes the film look relatively promising: Two sisters deal with their father's much-too-young new girlfriend, who it turns out might have murdered the last family she lived with. Casting the marvelous Elizabeth Banks as the potential murderess gets my attention immediately; she can do funny and sexy, but can she do creepy? I bet she can.

By the way, the film apparently has nothing to do with the 1944 movie of the same title. It is, rather, a remake of a 2003 South Korean movie called Janghwa, Hongryeon (or A Tale of Two Sisters, as it was known internationally), which got a very small U.S. release in December 2004. The remake is due Jan. 30. What do you think?

The trailer is after the jump....

Sorry for tricking you, but I just used that headline to grab your attention. I haven't even seen Twilight yet. But if you're someone who's in the market for a film based on an award-winning book about a dark-yet-poignant romance between two young people -- one of whom happens to be a vampire -- then I have a movie that's NOT called Twilight that I want you to check out. You'll have to (gasp) brave some subtitles to earn your rewards, but Tomas Alfredson's Let the Right One In is one fantastic film. Either you know that already, you've heard it already, or you'll find out in a few months time: It's awesome.

Anyway, Magnet / Magnolia has just announced an official release pattern for the brilliant Swedish film, and I'll give you the full calendar after the jump, but I will say this: There's good news afoot if you happen to live in or around New York, Los Angeles, Chicago, Baltimore, Philadelphia (hooray!), Seattle, Denver, Nashville, Santa Fe, Hartford ... Oh hell, just click on in and check the big list. (And thanks to Fangoria for the heads-up.)

As much as I hate to contribute to "overhype," some films just deserve the praise. Like this one. As far as Twilight goes, well, if it's half as good as LTROI, then it will be a VERY good film. (Again, I'm not comparing -- merely piggy-backing on a popular title in the hopes of shedding some light on a much smaller one. Movie geeks are clever that way.)

**Update: Added NY and LA info

When it comes to 'Zombie comedy', (if that is even such a thing), you have to admit that it is going to pretty difficult to top Shaun of The Dead -- but you can't blame someone for trying. The Hollywood Reporter announced that Jesse Eisenberg (The Squid and the Whale) has signed to star opposite Woody Harrelson in the horror-comedy, Zombieland. According to THR, "Eisenberg is in negotiations to play Flagstaff, a terrified shut-in whose cowardice makes him an expert at surviving the zombies but who is forced out of his shell to join the band of survivors, which includes Harrelson."

Zombieland was written by Rhett Reese and Paul Wernick, and is about a "mismatched pair of survivors who find friendship and redemption in a world overrun by zombies." So I guess that makes Zombieland a comedy, a horror, and a 'feel-good' buddy flick? Ruben Fleischer has already signed to direct, and is a relative newcomer to the world of feature films. Fleischer might only have a few credits to his name, but he can include the dubious distinction of being one of the people responsible for unleashing Rob & Big onto the world.

Zombieland could be a gamble for Columbia. 'R rated' comedy has yet to prove that it can compete at the box-office, so it was only a matter of time before studios started tacking on a body count. Personally, I think I'll just hold out for Seth and Jay vs. The Apocalypse instead. How about you?